“When Bad Men Define Good Art We talk about separating art from artist, but many of the accused abusers aren’t creators—they’re gatekeepers”

Jane Eaton Hamilton

Jess Zimmerman at Electric Lit writes:

“The Paris Review publishes twice as many men as women; are men twice as good? The New York Timesdescribed Stein as “regarded by many as a champion of new talent, including some women writers,” but that “some” is poison. One can’t really make the case that Stein was a champion of women writers generally; under his auspices, The Paris Review went from one-third women writers to… one-third women writers. So who broke through to be part of the illustrious third? This is not to say that the writers who did make their way into The Paris Review’s pages aren’t worthy, but we should illuminate the hand that picked them, and the other work it cast aside. In short, if you weren’t already paying attention to the ways that whiteness and maleness determine what we value in art, you should be now.”

Electric…

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